135-147 The Sakhīs feel the same Bhava as Rādhā

135 Sudevī smiles and says, "Rādhikā is truly worthy of the title Kṛṣṇamayi- she sees Kṛṣṇa's sphurti in front, on all sides, in her mind, in her eyes, in her cheeks, in her breasts and even reflected within the jewel of her locket!"

136 Indulekhā says, "Kāmadeva was defeated by Kṛṣṇa's beauty and became sad, unable to avenge Kṛṣṇa's superiority. Thus, seeing innocent Rādhikā attracted to Kṛṣṇa, Kāmadeva now tortures him behind his back!"

137 Vṛnda exclaims, "How amazing! If Kṛṣṇa touches Rādhā, then Rādhā's shivering, perspiring, horripilation and ecstatic tears appear on the Sakhīs too! And when Kṛṣṇa kisses Rādhā's lips, the Sakhīs become madly intoxicated!"
138 Mādhavī says, "When considering all of their qualities-Kṛṣṇa is the topmost male, and Rādhikā is the topmost female. So, the Creator does not deserve credit for his artistic talents, which so flourish when they come together in yugala milan?"

139 "Rādhā is a generous donor," says Kundalatā. "Although she accepted the garlands of Kṛṣṇa's embraces and nail-marks, she returned the favor manyfold to offer a pearl necklace, her toothmarks. So, when Kṛṣṇa kisses Rādhā's lips and bites her, the Sakhīs relish Rādhā Kṛṣṇa's Prasād with their eyes, as a garland placed around their necks!"

Ṭīkā: Here Kundalatā reminds everyone of Śrī Yugala Kiśora's Prema keli (See 146). This is called Rasodgāra-when previous pastimes are recalled for relishing. Kundalatā is saying, "You've told all about Rādhā's qualities, but you left one out: Rādhā is mahā-vadānya, supremely merciful. Just see, Kṛṣṇa offered Rādhā his flower garland nail marks, but then Rādhā decorated him with her priceless pearl Mālā toothmarks! And after she kissed Kṛṣṇa, their adhara Rāsa- the nectar of their lips, was freely distributed to the Sakhīs as mahā-mahā Prasād! Thus, the Sakhīs are garlanded with those same love-marks!"

140 Dhaniṣṭhā says, "In Kṛṣṇa's company Rādhā's beauty increases-her body and eye-movements display new intrigue, her heart's thrill is ever-fresh, and Rādhā herself is a new person."
141 Mādhavī exclaims, "Padminī Rādhā's aroma fills the ten directions; she is coated with the pollen of softness and beauty. So could the Madhusūdan-bhramara ever abandon her to pursue a mere Ketakī flower (some other Nāyikā)?"

142 Vasantī says, "Because the Mādhavī bloom in Mādhava, spring, they complement each other. Similarly, our Mādhavī and Mādhava are most joyful together! Thus, the Creator is an expert matchmaker."
143 Lalitā Sundarī exclaims, "Seeing Rādhā's exquisite form, the Creator desired to make more beautiful women like her. But after collecting his best ingredients and employing his finest artistic ability-he became depressed; not one of them could match Rādhā! Thus ashamed, he thought:

144 "The lotus and the moon are in no way comparable either!" Hence, just as one crosses out a misspelled word, the creator splotched the lotus with swarms of bees, and scribbled a deer-spot over the moon!"

Ṭīkā: As the group leader, Lalitā chides Vasantī: "Why praise the Creator's skill? Rādhā's splendor far exceeds his most refined creativity! So when beholding our Rāi Vinodinī's uncommon features, he became struck with wonder and concluded: "She's of another world!" Thus embarrassed, he tried to duplicate this marvel! But after failing again and again, and becoming frustrated, he decided to spite his most beautiful masterpiece, the lotus and the moon!"

145 Lalitā continues: "Let it be known-Śrī Rādhikā Devī's qualities are endless, and therefore impossible to fully describe. We are only baffled in our attempts to do so! Even Saraswatī fails because such words don't exist within her storehouse of knowledge."
146 After the Sakhīs smilingly describe Rādhikā's form and qualities she becomes happy. But owing to her shyness and vāma nature Rādhā goes on looking at Kṛṣṇa with crooked, sidelong glances. And by seeing her various moods, and by hearing about her wonderful beauty and qualities, Kṛṣṇa becomes completely satīsfied.

Ṭīkā: After rati keli, Rādhā and Kṛṣṇa lie fatigued on the flower bed. The Sakhīs and Mañjarīs enter the keli Mandir with frolic and joking. Then, as the Divine Couple musingly take rest, the Sakhīs surround them on the flower bed and describe Rādhā's beauty to delight Kṛṣṇa.

147 As the result of Śrī Rūpa's mature seva aroused by drinking the madhu at Śrī Caitanya Mahāprabhu's lotus feet, at the request of Śrī Raghunāth Dās, in the association of Śrī Jiva and the the benediction of Śrī Raghunāth Bhatta, here ends the eleventh chapter of Govinda-līlāmrita.