10-16 Autsukya lajja vāmatā avahittha vibhrama vicchitti
औत्सुक्य लज्ज वामता अवहित्थ विभ्रम विच्छित्ति
10 Radhika's sweeping bodily madhurya illumines the dancing stage, and Krishna's eyes dance with her! And seeing Krishna's captivation, Radha's joy ever increases! Then she pelts him with the lotus of her sidelong glance to increase his fascination! The Gopīs' lotus eyes dance within this spectacle!
11 Stunned by Krishna, Radha's gait totters. As her face is slightly covered with
a blue Orana, Radha's peeking awry glances deliver excessive pleasure to
Krishna! This pose is called the vilasa alankara.
12 The sancari bhava of autsukya (eagerness), acting like a sakhi, pulls Radha forward,
the
sakhi of lajja (shyness) pulls her back,
the
sakhi of vamata (resistance) deceptively pulls her towards home
and
the sakhi of avahittha (concealment) leads her to the east for picking flowers!
Seeing
Radha moving in various ways captivates Krishna!
Ṭīkā: Radha's eagerness for Krishna's Anāṅga-saṅga first pulls her towards him
as the Mañjarīs pull her to meet Krishna. But because Lalita and the other Sakhis are present, Radha's shyness awakens to pull her back!
Next Radha's resisting Vama tendency pulls her towards home (as though she
intends to spite the sakhis for creating the situation). But after regaining
composure, the Sakhi of concealment saves Radha's prestige as she moves towards
the flower-Kuṅjas displaying the mood: "Ha! We didn't come into the forest to
see you! We're here to pick flowers for Surya Puja!"
Thus, Rai Vinodini's restlessness delivers unending delight to Nagara Raja Sri
Krishna.
This verse invokes meditation.
13 As these "four Sakhis" continue to pull in different directions, Radha is unable to
proceed forward, neither can she remain still!
14 Radha's shyness causes her neck, waist and knees to bend with an enchanting
contour. She arches her dancing lata-like eyebrows that rival Cupid's bow!
As Radha is thrilled by Krishna's enjoyment (in seeing her), she fondles
Lalita's hand for support. This pose is known as the lalita alankara.
15 The superb dance of Radha's emotions induces Krishna's mind to flutter - hence His
body takes to dancing and He arrives standing just before Her!
16
Rasika Cudamani says, "Hey Priye! Your ornaments became misplaced in your
hurried attempt to meet me? Aha! Your appearance makes me restless! Come, I'll
re-dress you properly!" Thus Krishna makes his move to touch Radha... and caught
off-guard, Radha lowers her head in hesitation as her eyes flicker! Thus she
shows the vibhrama alankara.
Vibhrama (or vicchitti) is when a nayika's amorous intoxication causes her to mis-dress (or forget to properly dress) in her frantic endeavor to meet her beloved.